|
|
|
|
PHOTOGRAPHS |
MIKEL URDANGARIN
TECHNICAL SPECIFICATIONS
STAGE
- 24 CHANNEL MONITOR DESK WITH 5 SENDS (+2 SIDE
FILLS * )
- 3 CONVENTIONAL MONITORS + 1 DRUM FILL and 1
Monitor Engineer
·
SENDS:
·
GUITAR / VOICE - MIKEL
·
VIOLIN
·
GUITAR/ VOICE - RAFA
·
SAXOPHONE
·
DRUMS
- RECEPTACLE IN: SAXOPHONE,
VIOLIN AND ELECTRIC GUITAR.
- MINIMUM MEASUREMENTS: 12 x 8
METRES, 7 METRES HIGH AND WITH TWO INDEPENDENT WINGS FOR THE P.A.
- THE STAGE WILL BE COMPLETELY COVERED.
- THE STAGE WILL BE APPROVED TO SUPPORT THE WEIGHT TO BE PLACED OVER IT.
FOH
- COMPRESSORS (A TOTAL OF 3) + 7 GATES,
DBX 166 or BSS, KLARK-TEKNIK, DRAWMER, DBX 160A or equivalent.
- BASS DRUM
- ACOUSTIC
GUITAR
- BOX
- BASE KETTLEDRUM and TOM1
- PROCESSORS: (A TOTAL OF 4) -
LEXICON PCM 80 or 70, YAMAHA SPX 990, TC ELECTRONICS 2000 or equivalent.
- SOUND DESK - FOH – WITH
"VCA" AND “MUTE GROUP” (MIDAS XL200, YAMAHA PM3500, PM4000,
SOUNDCRAFT SERIES FOUR OR EQUIVALENT), PROPERLY LIGHTED AND WITH ITS RESPECTIVE
RACKS.
- A MINIMUM OF 3 STEREO OUTPUTS TO MAKE RECORDINGS (TV ETC.),
INDEPENDENT FROM THE SUBGROUPS AND AUXILIARIES.
- THE POWER WILL DEPEND ON THE CAPACITY AND
CHARACTERISTICS OF THE PREMISES. THE MINIMUM REQUIREMENT IS 8000 WATTS.
CONTINOUS 100DB SPL WILL HAVE TO BE GUARANTEED AT THE CONTROL
STATION, FREE OF DISTORTION AND WITH A FREQUENCY RANGING BETWEEN 20Hz AND 18Kz,
AND CONTINUOUS 90 dB SPL at any point of
the premises under the same conditionS.
- SPECTRUM ANALYSER (RTA), klark T
or equivalent.
- EQ 32 BANDS (L-R) K.T.
- STAGE TALKBACK SYSTEM
- INTERCOM
- CD PLAYER
- DAT RECORDER
BACKLINE
-
1 PLAFTORM MEASURING 3 x 2 METRES FOR THE DRUMS
-
1 PLATFORM MEASURING 2 x 2 METRES FOR THE SAXOPHONE
LIGHTING
(suggestions in the event of the band not bringing a technician)
- 2 x 12 METRE
TRUSS WITH BLACK BACK CLOTH.
- 8 X 6 Par 64
1K BARS (Medium)
- 8 X 6 Par 64
1K BARS (Narrow)
- 6 ACL BARS
- 72 Dimmers
(2,4 KW) with Hardpatch and Softpatch
- 12 Pars (1K)
, Medium
- 14 Leiko 1K
26 Degrees
- 48
Dimmers (2,4K)
- 1
PROGRAMMABLE 60 CHANNEL DESK WITH 24 SUBMASTERS
- 1 SMOKE
MACHINE, with remote control.
- SOUND
INTERCOM, DIMMERS.
OTHER
REQUIREMENTS
- THE SOUND EQUIPMENT WILL BE
COMPLETELY ASSEMBLED FIVE HOURS PRIOR TO OPENING THE DOORS TO THE PUBLIC OR SIX
HOURS PRIOR TO THE BEGINNING OF THE PERFORMANCE.
- A MINIMUM POWER OF 15 KW WILL BE NEEDED
FOR THE SOUND AND 60 KW FOR THE LIGHTING. THESE WILL BE SEPARATE RECEPTACLES.
- TWO
COMPLETE DRESSING ROOMS. THE KEY WILL BE AT THE ARTISTS’ DISPOSAL DURING THE
PERFORMANCE.
- IF THE
ARTIST IS TO SHARE THE STAGE WITH OTHER BANDS, HE WILL BE INFORMED IN ADVANCE
SO THAT HE CAN ESTABLISH THE ORDER OF APPEARANCE.
- IF
THE PERFORMANCE INCLUDES MORE THAN TWO BANDS, MIKEL URDANGARIN’S BAND WILL BE
PROVIDED WITH A SEPARATE SOUND DESK.
- ENOUGH SPACE TO PARK TWO VANS.
- TOWELS
AND CATERING: COFFEE, REFRESHMENTS, BEER, PLENTY OF WATER IN SMALL BOTTLES, NUTS, SANDWICHES, CHEESE AND A CHOICE OF
FRESH FRUIT.
- WHEN THE CONCERT BEGINS, ALL THE LIGHTS OF
THE SQUARE, THEATRE, PELOTA COURT ETC. WILL BE SWITCHED OFF.
- IF
HE IS TO PERFORM WITH ANOTHER BAND, MIKEL URDANGARIN WILL HAVE THE RIGHT TO
CHOOSE THE LOCATION OF HIS P.A.
- THE
BAND WILL NEED 8 PEOPLE FOR LOADING AND UNLOADING THE SOUND AND LIGHTING
EQUIPMENT BEFORE AND AFTER THE CONCERT (PROVIDED THESE OPERATIONS ARE STANDARD;
OTHERWISE MORE PEOPLE WILL BE REQUIRED). IN ADDITION, ONE PERSON WILL GUARD THE
STAGE FROM THE MOMENT THE SOUND TEST ENDS TO THE BEGINNING OF THE CONCERT.
- AN ELECTRICIAN WILL BE AT THE
PREMISES WHEN THE SOUND AND LIGHTING EQUIPMENT ARRIVES.
- THE BAND WILL NEED 3
CHAIRS WITHOUT ARMREST.
- IN
EVERY PERFORMANCE, CHAIRS FOR THE PUBLIC WILL BE SET UP IN FRONT OF THE STAGE,
REGARDLESS OF WHERE IT TAKES PLACE (A SQUARE, A PELOTA COURT, IN THE OPEN
AIR...).
CHANNEL
LIST
|
Ch. |
Instrument |
Mic/DI |
48V |
FOH Insert |
MON Insert |
Ch. |
|
1 |
BD
Bombo |
D 112 |
|
COMP + GATE |
|
X |
|
2 |
SN Caja (arriba) |
SM 57 |
|
|
|
|
|
3 |
H-H |
SM 81 |
X |
|
|
X |
|
4 |
Tom
base |
SHURE SM 98 |
X |
|
|
X |
|
5 |
Timbal
- 2 |
SHURE SM 98 |
X |
|
|
|
|
6 |
Timbal
- 1 |
SHURE SM 98 |
X |
|
|
|
|
7 |
OH
(L) |
KSM 32 |
X |
|
|
|
|
8 |
OH
(R) |
KSM 32 |
X |
|
|
|
|
9 |
Violín |
D.I. |
|
COMP |
|
|
|
10 |
Sax L |
XLR |
|
COMP |
|
|
|
11 |
Sax R |
XLR |
|
COMP |
|
|
|
12 |
Guitarra Acústica |
D.I. |
|
|
|
|
|
13 |
Guitarra
Eléctrica |
D.I. |
|
|
|
|
|
14 |
Rafa
Ahotsa - Voz |
SM 58 |
|
|
|
|
|
15 |
Mikel U. Ahotsa - Voz |
AKG 5900 / Shure SM87 Beta |
|
|
|
|
|
16 |
|
|
|
|
|
|
|
17 |
|
|
|
|
|
|
|
18 |
|
|
|
|
|
|
|
19 |
|
|
|
|
|
|
|
20 |
|
|
|
|
|
|
|
21 |
|
|
|
|
|
|
|
22 |
|
|
|
|
|
|
|
23 |
|
|
|
|
|
|
|
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|