BIOGRAPHY

TECHNICAL SPECIFICATIONS

CONCERTS

PHOTOSGRAPHS

 

OSKORRI

 

DISCOGRAPHY

 


Oskorri’s first LP comprises ten traditional tunes based on poems by the never-to-be-forgotten Gabriel Aresti, who was responsible for a revolution in contemporary Basque literature.

A first album full of freshness, vitality and spontaneity, offering a new sound-palette, blending traditional instruments from all over the world.

 

 


Setting the poems of the great Beñat Etxepare to music in 1977, Oskorri achieved a more solid and complex album than before, offering unusual Baroque arrangements.

Several traditional dance tunes are found on this album as well as ten songs by the band.

 

 


A double album, low-key and tranquil.  Less sophisticated than the one before, it is more profound and deeply felt.

A wide-ranging, open and hetrogenous work.  In addition to traditional songs and dances it includes self-penned songs and experiments with ‘bertsolarismo’.

 

 

 


The band had already reached maturity and made great use of the tone colours of their various instruments.  They achieved a distinctive, settled sound and began a more professional stage of their career.

 

 

In this album they included some of the songs which could not have been recorded earlier because of censorship. They recorded the old settings.

 

 

 

Shortly after joining the Elkar label they recorded their most polished and technically accomplished album to date.

The band now began to play more universal music without losing touch with their roots.

 

 

 

 Folk Freak – Pläne issued Oskorri’s best-known songs in newly recorded versions. In view of the album’s very successful reception Elkar decided to release it in the Basque Country too.

 

 

 

 


A wide-ranging work, with music varying from the traditional to the most experimental, from the profound to the light-hearted.

A completely open homogenous album with the unifying thread of the Oskorri sound.

 

 

 

 


A very new type of recording, as much for its presentation of the most highly-regarded Basque poets of this generation as for the new compositions by the band.

 

 

 


On March 21 and 22, 1987, Oskorri celebrated their fifteenth anniversary with a concert in the Arriaga Theatre in Bilbao.  Seventeen songs which went to form a new double album.

 

 

 

In this record Oskorri returned to the songs and ballads which the audience liked to sing along to.  Nonetheless, it also contains fast exotic rhythms, reworked popular airs, refreshing songs and even some humorous pieces.

 

 

 

In 1991 we find the band working to recover traditional Basque dance tunes.  Seventeen traditional dances adapted to the now typical Oskorri style.

 

 

 

The repertory chosen for this new album, Badok Hamairu, achieved a well-balanced result, running the gamut from light-hearted and funny songs, through easy to listen to songs, to solid, profound and moving ballads.

 

 

 

 


The band’s fifteenth album.  Rich sounds and a general conception and arrangements close to universal music.  The fact that musicians of the stature of Kepa Junkera, Flaco Jimenez and Luis Delgado played on the album contributed to the overall universal feel.

 

 

 

 Once again Oskorri joined their audience in celebrating another anniversary, 25 songs for 25 years.  Recorded live, it represents one of the most emotional and important moments in the band’s career.  Guest musicians from all over Europe took part: Martin Carthy, Niko Etxart, Pedro Guerra, Gwendal, Kepa Junkera, Mikel Laboa, Fermin Muguruza, Liam O’Flynn, Ruper Ordorika, Juan Carlos Perez, Albert Pla, Anton Reixa, Jon Sarasua, Joseba Tapia, Patrick Vaillant and Gabriel Yacoub.

 

 


With new musicians came new airs which revitalised the band.  Oskorri, with Kepa Junkera co-producing, achieve one of their freshest and highest quality works.  Together with Glenn Velez, Michel Bordeleau (La Bottine Souriante), Ivo Papasov and Faltriqueira they open up new musical paths which lead to their most universal disc.

 

 

 With a repertoire based on Biscayan themes of XIX century, compiled by the well-known bertsolari Xabier Amuriza, it is a disc created for the celebration, the dance and the most playful and spontaneous enjoyment;  in some songs it is so free and bold as tender and intimate in others, but always it is shining.

 

One of the successes of this new work is based on live recording sessions at the studio. It has gifted to the work with an extremely natural and sincere sound, very closed to live concerts.

Between the collaborators we emphasize the own coproducer Eliseo Parra, Kepa Junkera (trikitixa) and  the rythmical tap dance of Michel Bordeleau (La Bottine Souriante)

 

 

 Preceded of a period of great creativity, the group bets for a new sonority, derived of the new information and Luis Lozanos collaboration in the production. Desertore, highlights the desire of the group to look for the plurality and diversity, supported by the texts of Unai Elorriaga, Maialen Lujanbio, Harkaitz Cano, Jon Sarasua, Andoni Egaña and recovering texts of Toribio Etxebarria, Jon Enbeitia and Xabier Isasi and with the collaboration of Faltriqueira, Eliseo Vine and Leturia among other, Oskorri is able to complete one of his better works of all the times that is selected by European journalists as one of the ten better works of the moment.

 

 

O T H E R    R E C O R D I N G

 P R O J E C T S

 

 

Katuen Testamendua and Marijane Kanta Zan are two albums devoted to children.  Almost forgotten children’s songs, together with new compositions based on texts by Marijane Minaberry

 

 


 Over the years Natxo de Felipe, a lover of Basque culture and tradition, has recovered hundreds of traditional songs which come to light in the new albums of the Pub Ibiltari

 

Several members of the band joined the audience in the Arenal in Bilbao for the Fair of St Thomas in December to perform a selection of songs which later came out on two discs.  One represents the live concert with audience participation, the other only the instrumental versions of the songs and both are accompanied by a booklet containing the scores and lyrics of the songs from the record.

 

 Oskorri joined the people of the town of Urretxu to pay tribute to one of the universal Basque musicians, Iparragirre.  A selection of twenty-three songs make up this album recorded with the help of the entire town of Urretxu in June, 1999